Ronan Coleman has
worked as a composer in Ireland and New York for over a decade.
His music is featured internationally in advertising, film and television.
"Vibrator",
the debut solo album by Jasper
James, released January 2009, has seen Coleman branching out
into record production and also cycling back to his roots as a songwriter
in collaboration with production partner Augustus 'Dicadillac' Skinner
of Crispin Thump.
Also
releasing on the Crispin Thump label this year is the debut EP for
Oxford's indie folk popster, Lydia
Baylis.
The Crispin Thump production partnership
recently concluded scoring Adria Petty's documentary on Paris Hilton,
'Paris Not France', due to air on MTV Networks later this year.
Recent commissions have included campaigns for Betty Crocker 'Warm
Delights' (Campbell Mithun), Friskies 'Indoor Delights', 'Signature
Blend', 'Seafood Sensations' and 'Feline Favorites' (Avrett, Free,
Ginsberg), Emirates Airlines and a brand new reality show for TruTV
'Personal Convictions'.
In 2008, Coleman put the finishing touches to the score of 'Pennhurst',
a feature length documentary film chronicling the stories of the
many people whose lives are irrevocably intertwined with the history
of the Pennhurst State School and Hospital in Pennsylvania, USA.
The Emmy Nominated 'Last
Days On Earth' for ABC aired in late August 2006, marking his
first musical score for a major US network and placing him in the
top ranks of television composers in the US. In the fall, he followed
this success with the theme to a brand new show for the Discovery
Channel, 'I Fought The Law'.
In the summer of 2004 he scored the award
winning film 'Hoodwink' (dir: Adam
Feinstein) for the US launch of Volvo's all new V50.
TV programs include the score to 'Faraway
Up Close', a landmark documentary series from award winning
director Kim
Bartley and the theme tune to Television Jamaica's largest ever
production, 'Rising Stars' broke all ratings records for viewership.
In addition, Coleman composed the score for RTE's six part series
on European enlargement entitled 'Europe: The New Frontier' and
a thirteen part series journeying down the Mississippi for TG4 Ireland.
His long standing relationship with documentary makers, Ruán
Magan of Create One/Wonderland and writer and broadcaster, Manchán
Magan, has seen Coleman develop the unique musical identity
of the Global Nomad series of TV
documentaries that have received critical and commercial acclaim
in Ireland and which are currently being distributed worldwide through
Beyond
Distribution.
Collaboration with visual artist Laura
Gannon funded by The Arts Council of Ireland, culminated in
'Wordsong' opening at The
Hugh Lane Municipal Gallery of Modern Art in March 2003. The
documentary film of 'Riverdance
in China' produced in March 2004, also features a number of
Coleman's compositions.
Born in Dublin in 1967, Coleman’s first compositions were
publicly performed in 1984 at Glenstal Abbey, home to a community
of Benedictine monks whose practice of Gregorian chant as a classical
part of the Benedictine monastic experience proved formative in
sharpening Coleman's focus on the importance of voice and chant
in music. Thereafter, he went on to study at The Royal College of
Music in Dublin taking voice as his primary instrument.
He co-founded the avant-garde funk-rock band 'The Malchicks' in
the early 90s that performed on national radio and television and
played to packed houses on the national circuit. In a move to further
explore the possibilities of music production and sound design he
began writing music for advertising in 1994 and was commissioned
by clients including Independent News and Media PLC, Irish Distillers
PLC, Lufthansa Airlines and The European Environmental Agency. His
more experimental works are featured in short films such as the
Arts Council of Ireland funded documentary 'Bridges' and public
art commissions entitled 'Underswim' and 'Wordsong'.
He lives in New York and has just finished
production on the debut release for Oxford's emerging indie folk
popster, Lydia Baylis.
Coleman continues to foster a number of pet projects including an
album that fuses electronica with vocal and instrumental recordings
of indigenous, minority communities culled from his travels throughout
Africa, China, Eastern Europe and the Middle East.
Visit IMDB.com for
a list of TV/Film credits. |